Tag Archives: California

The Zinfandel Dilemma

I attended a presentation today at the 2017 Wine Bloggers Conference by a group of four Zin winery owners sponsored by ZAP (Zin Advocates & Producers) and heard this plea: we are serious winemakers producing serious wine, we deserve to be taken seriously! The session was titled “Zinfandel: Old and New.” I was expecting a serious discussion about old and new wine styles, but instead we heard the usual tired Zin topic: comparing old vs. young vine Zin. Not that this isn’t a viable topic, it has just been covered many times in many places and not really what these winemakers were passionate about. The ZAP moderator had to focus the discussion back on promoting the vineyards several times. This brings me to the reason for this commentary. I have seen it many times, when a winery doesn’t understand how best to develop a coordinated marketing plan, the focus is put on expression of place (terroir). There are definitely worse ideas, but Zinfandel in particular is a special case. Zinfandel has an identity problem first and foremost and if that isn’t addressed, all discussion of place is lost in the noise.

Red Zinfandel Wine & Consumer Perception

Zinfandel is the most manipulated wine grape on the planet. It is made in so many styles, you really have no idea what to expect every time you open a bottle from an unfamiliar producer. In contrast, when I pop Bordeaux/Meritage, Burgundy, or Rhône style wines, regardless of where they are made, I have a rough idea of what I will be tasting. That is a serious problem. If ZAP is trying to bring Zin into the premium space, they should be focusing on this issue. Collectors and restarauteurs need to have a point of reference. It must be quite difficult to build a marketing plan around a wine profile that is not generally familiar. Does the marketplace need some sort of generally accepted Zin style indicators?

So, here we go… my attempt to address this challenge:

RICH Zinfandel – Characterized by winemaking technique aimed at broad general appeal and high volume production. Usually driven by ideas like: whole cluster vacuum fermentation to add extraction and big fruit flavors, extended cold soak for more extraction, late harvest to accentuate over-ripe and raisiny fruit flavors and optical sorting to isolate late harvest raisins to make a concentrated must used to fortify larger batch production. Good examples would be Lodi and Paso Robles producers chasing the jammy Zin profile.

WARM CLIMATE Zinfandel – These would be producers in warm climate areas with a fine wine sensibility. Using Guyot trellising and vertical shoot positioning to build a Bordeaux style approach to Zin. This type of winemaking in these locations makes what I would call Zin with finesse. Not overly fruit-forward with low tannins and medium to medium-high acidity, often shooting for soft wines with good mouthfeel. Napa and Dry Creek Zin producers would be the example here.

COOL CLIMATE Zinfandel – These producers are trying to build a leaner style Zin with medium to high tannins and high to very high acidity. Often traditionalists, these estate vineyards are usually head-trained and laid out with more space 8’x8’ or 8’x12’ between the vines building a large cluster approach to fruit production. Zin tends to always drive fruity flavor profiles, so growing in a location with just enough sun and warmth to ripen the fruit seems to work. This is probably a “truer” expression of Zin for you purists and builds a wine much better for pairing with food. Producers from Amador and El Dorado Counties and Russian River are examples in this category.

Zinfandel BLEND – This is the newest idea in the industry and popularized by the very successful release of “The Prisoner” by Orin Swift orginally. Zinfandel as a varietal has broken through the stigma and become a more common blending grape. Several producers in Paso Robles have begun using Zin to add a fruit-forward and aromatic character in lieu of the traditional Grenache found in most Rhone blends. I find the result quite interesting. Try an example of a red blend with Zinfandel in the mix. When done well, these wines can be fruit-forward, acidic, tannic and have great mouthfeel all at once.

 Wine Tasting Session

2015 Terra d’Oro Deaver Vineyard – Mildly fruit-forward and slightly sour. Much like a Chianti without the structure. Some complexity would add interest. Medium acidity and tannins.

2015 Cedarville Vineyard Zinfandel – A fruit-forward nose and palate with black cherry and strawberry. A light mid-palate and finish of bitter dark chocolate. Medium-high acidity and medium-high tannins. This had a nice aromatic nose. Nice effort that maintains the integrity of the Zin profile, while offering a structured food-friendly approach.

2015 Proulx Zinfandel – A strong red fruit profile with a brambly note and a dominating nail polish character on the nose. Medium-high acidity and medium tannins.

2015 Limerick Lane Wines 1910 Block – This is loosely a Zinfandel “field blend”. More blackberry than the other wines tasted here (more black vs. red fruit). The enhanced black fruit is likely due to the other red varietals planted in this vineyard. There was a brambly character that added a pleasant complexity. High acidity and medium tannins.

Cool Climate Zinfandel

These four wines were grown in areas where at least the evenings are quite cool and the fruit is often picked a little earlier than other California Zin producers. These wine profiles were deliberately built to offer a more classic style of red wine with good structure and to pair well with food. Think food pairings like poultry, or pork – in particular, a Thanksgiving meal sort of sensibility.

Zinfandel Marketing

How do YOU feel about Zinfandel? It can be made in a very serious wine style, but is not often thought of this way. Marketing is critical for the producers in this style. It was mentioned in the session that these producers were not successfully selling into the Midwest and East Coast markets. The answer has to be an organization like ZAP that could develop a product identity well understood by the wine community.

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Filed under Cool Climate Wine, Lodi, Napa Valley, Paso Robles, Sonoma County, U.S. Wines by Region, Wine by Varietal, Wine Industry, Wine Tasting, Wine Tasting Notes, Zinfandel

Hidden in Plain Sight

My wife and I spent years visiting Napa Valley thinking that Stag’s Leap Wine Cellars was THE Napa Stags Leap… Not that I put research, or thought into it, but I had no idea there were TWO. Many years ago, my wife and I arranged a tasting appointment at Stag’s Leap Wine Cellars and were hit over the head with their rustic approach to red wine. It is always a difficult decision to buy wines that require 10 years in the cellar to enjoy. We made that calculation in those early years and never visited that Stag’s Leap again. Surprise, discovering there is another similarly named winery with a completely different approach to making wine!

Trade Tasting at Stags’ Leap Winery

This was a beautiful property. Everything you could want in a destination winery property: picturesque, historical buildings with architectural interest and a colorful history all tucked back in a forested valley, off the Silverado Trail on the East Side of Napa Valley. Although, what was truly special was the wine.

Christophe Paubert – Winemaker

This was an opportunity to tour the facility, taste the product, hear the winemaker discuss his wines, ask questions and immerse yourself in this winery’s experience. The best kind of wine country adventure! Christophe is a passionate, down-to-earth guy with a vision for his wine. An Old World artist with a New World sensibility. Here is one of those special winemakers who succeeds in leaving his signature behind with every wine produced. Each red wine had a special character to the tannins… all very structured, with age-ability. Even young, the tannins were so fine, as to make the wine approachable on release. After 20+ years of collecting and tasting premium wine, you learn to recognize a deft hand. Grainy, rustic tannins in red wine become a bludgeon, beating you over the head. This heavy-handed, unpleasant approach to red wine magnifies a seeming lack of experience (interest?) in a refined approach to collectible wine production. On the other hand, this winemaker understands the importance of nuance in his approach. Think muscular, with a gentle side and a focus on aromas that draw you in. I have always had a soft spot for winemakers that pay attention to the nose when building their wine profile.

The Wines

2016 Viognier – Alsatian white wine feel with citrus and tropical fruits, minerality and a touch of spice. Huge acid backbone for a Viognier. Interesting and complex with a profile that could pair well with foods, or be drunk on its own.

2016 Napa Valley Chardonnay – Mix of new/neutral oak and stainless. No malolactic ferment. Tropical fruit and citrus on the nose. This is an Old World style Chardonnay that does not use a malo ferment to tame the acidity and add butter flavors (yay!) Contact with the lees has been used to add texture. This is a crisp, aromatic, high acid Chardonnay. Perfect pairing for seafood and white cream sauces, but fruity and interesting enough to drink on its own.

2014 Block 20 Estate Merlot – A lighter, more structured style than your typical Napa Merlot. A Right Bank Bordeaux feel, but with such fine, approachable tannins, it takes you down the path to Margaux. Plummy fruit forward nose and palate, with a rich brown butter flavor adding interest. The brown butter often comes from a combination of aging on the lees and just the right toast on the barrels. Christophe asserted this was just the character of this vintage’s fruit. Either way, a special Merlot that highlights the best of both Old and New World wines.

2014 Twelve Falls Estate Red – I just wanted to bathe in this stuff! Unusual blend of Cab Sauv, Petite Sirah and Merlot. The PS was handled in such a way that it complimented the other varietals, instead of overwhelming them. Plum, blackberry, blueberry, spice and everything nice! High acidity and high tannins. Superb red blend!

2014 The Leap Estate Cabernet Sauvignon –  Needed time to open and unwind. Steadily blooming flavors and complexity over time. This is a highly structured Cab Sauv with very high acidity and high tannins. Fruit forward blackberry and currant out front, with earth and leather to the mid-palate. I found myself wishing for a bit longer finish, but the silky mouth-feel filled the gap. Beautiful approachable young Napa Cab Sauv.

2014 Ne Cede Malis Estate Field Blend Red – Odd field blend of Bordeaux and Rhone varietals both red and white. Areas of this block in the estate vineyards were planted back to 1920. High acidity and high tannins, busy flavors and silky mouthfeel. Quite nice on the nose and on the palate. I think I am a touch too traditional… the wine had me thinking too much about identifying varietals and associated flavors. I know complex red blends are becoming more popular, taking us back to a hundred years ago when field blends were much more common, but recognizing wine styles brings a certain amount of comfort. This wine could easily grow on me, but would take time.

Stags’ Leap Wine Style

Consistently fine tannins and an aromatic nose were indicative of these wines. All highly structured, age-able and food friendly, these wines were also soft, pretty and approachable when young. Characteristic of a talented winemaker working with high quality fruit. Tasting appointments are required. Call ahead and take the time to find this hidden gem. It will be well worth your while.

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Filed under Bordeaux/Meritage Blend, Napa Valley, Stags Leap District, U.S. Wines by Region, Wine Tasting, Wine Tasting Notes, Wine Travel, Winemaker Interview

Climate Change and Wine

 

Not to minimize, or take away from the tragedy currently unfolding in Napa/Sonoma… our prayers go out to the families who are dealing with such terrible loss.

It is difficult to discuss causes this early, but I think all of us can easily recognize these fires are being worsened by very dry conditions. I have been talking to folks in the industry for months about the unseasonably hot and dry growing season this year and its impact, well before these fires added a horrible punctuation mark to the conversation. This should put the topic of climate change front and center in the minds of those in the wine industry – not just in the U.S., but globally…

Rising Trends

The long-term impact of global warming should have the largest effect on vineyard varietal selection. In the next 20 years will we see Napa/Sonoma start replanting vineyards to warm climate varietals? Will the vineyards start to look more like the Southern Rhone? In 20 years will Oregon/Washington State become the new Napa?

The short-term impact will be on harvest timing/strategies and winemaking. Before the fires, I saw a few CA winemakers chatting on Facebook about how the unusually hot harvest in 2017 might cause them to adjust their approach from past years. It will likely be the estate wineries that can be flexible and creative enough to weather this transition well (pun?).

Let’s start with a very important basic presumption: balanced wines are preferred and desirable. Napa moving to easy drinking Lodi Zinfandel style wines just doesn’t seem like an option to me. I have spoken to several winemakers over the past five years that are already experimenting with interesting techniques… These conversations have led me to realize that the steady trend toward more single vineyard wines and estate wineries is happening for many reasons beyond marketing strategies. Winemakers are reaching the conclusion that more control over the growing process is vital to the production of premium quality wines. These techniques may have a more far-reaching impact though: as options to minimize the effect of a warming climate…

How Can the Industry Adjust to Climate Change Now?

I am sure there are much smarter people out there with more training and great ideas on this topic, but this thought occurred to me recently…

Multiple Harvest Windows?

This strategy is basically, separating a vineyard into blocks and varying the harvest timing… requiring multiple harvest passes at different times in one vineyard. I can’t tell you how many other winemakers have told me this is a gimmicky, trendy technique and is a waste of time and money. I have tried to see the negative viewpoint, but the final consideration always comes back to the supporting science.

Before a winemaker can consider this alternative strategy, he/she has to either: be working for an estate winery, or have influence and control over the grower. I have talked to several winemakers/winegrowers who split harvest timing across several days/weeks to handle individual vineyard blocks separately. This can take advantage of rustic elements present in the fruit from earlier harvest vs. more advanced flavors/phenolic development from later harvest. Although, if the nights are not at least cool during Fall harvest season, good acidity levels will still be difficult to achieve. Earlier harvest can also control sugar in the must (fruit) and subsequent alcohol content in the wine. Some are taking this thinking a step further and investing in the equipment and resources to perform small-batch fermentation of each separately harvested block… to add complexity and balance via blending. In a world where Fall is becoming warmer, an interesting investigation might be whether earlier harvest in one block could help offset the impact of a more traditionally timed harvest in another?

Popular Wine Grape Varieties and Vineyard Location

The Bordeaux grape varieties that comprise the majority of red wine currently sold in the world (Cab Sauv, Cab Franc, Merlot, Petit Verdot, Malbec & Carmenere), do not produce classic wine styles when grown in warmer climates. That doesn’t mean there aren’t varietals grown in warm climates that don’t produce structured, balanced wines… Syrah, Grenache, Aglianico, Tannat, Tempranillo (to name a few)… but to go down this path, the majority of the world’s vineyards ( from 35th to 45th parallels) would have to be replanted AND the world would have to be re-educated on which varietals to drink.

When grown in a warm climate, the most common wine grape varieties in the world, tend to produce simple, easier drinking wines that do not pair well with food. Regardless of the necessities driven by global warming, it is unlikely that consumers will accept new styles of wine simply because current vineyards are not planted in cooler climates.

Forest Fires, Vineyard Fires & Climate Change

There will never be a good approach to bringing these pieces together. Vineyards need to be starved of water and nutrients in a carefully controlled process to concentrate flavors and produce complex premium wines. Vineyards cannot be over-watered, which means they will always be “dry” by definition. As global warming continues, it will be critical to clear an open space around vineyards, so scrub and forest cannot easily transfer fire conditions by proximity. I can’t tell you how many vineyards in the mountains around Napa and Sonoma are nestled in and completely surrounded by forest. What makes for a beautiful setting, may cause a fire risk that is no longer acceptable. Any change along these lines could dramatically change the picturesque nature of wine country (California?) moving forward.

Change is a disruptor we all have difficulty contending with in many areas of our lives. It is likely wineries and wine enthusiasts alike will have to change expectations in coming years.

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2008 Acacia Chardonnay Winery Lake Vineyard

2008 Acacia Chardonnay Winery Lake Vineyard

California Carneros AVA

Wine Tasting Note:

I have to wonder, am I drinking a different wine than the others leaving notes on CellarTracker? Take note: you definitely have to be more of a White Burgundy fan, than a Cali Chard fan to enjoy this wine. Conflicting thoughts on this one… This wine is wound very tight, like a Crus Chablis might, without enough cellaring. On the pop, the nose is all bitter key lime, grapefruit and brine. Let the wine rest for 15 minutes and the nose begins to blossom a bit. Definite honeysuckle and green apple comes to play, in addition to the other aromas. Now, the alcohol comes forward – another Cali producer over-doing a white with 14% alcohol. The palate is complex. After 30 minutes, the sweet honeysuckle moves to the front and lime, grapefruit and brine moves to a well-defined mid-palate. The oak is not subtle here, but it adds interest by exaggerating the mouth-feel coming from stirring the lees. The wine almost feels like heavy cream in the mouth. The acid level is high. This could easily age another five years. How would you feel about a 15 year aged Cali Chardonnay? The finish is very, very long with a lightly sweet-sour flavor that persists. This is like a better White Burgundy, missing the finesse. This should be drunk with specific foods to tame its wildness. The acidity would hold up well to the most buttery of white cream sauces I can think of, in fact, linguine in a rich white clam sauce is coming to mind! Drinking window easily until 2022.

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Filed under Carneros, Chardonnay, Napa Valley, U.S. Wines by Region, Wine by Varietal, Wine Tasting, Wine Tasting Notes

Two Rhys Chardonnays

Rhys Alpine Vineyard

My wife and I pulled out a couple of stellar California Chardonnays from the cellar last night. Rhys really does stand out as a quality Chardonnay producer. I normally go to French White Burgundy for quality and value in this category, but Rhys has compared well and I do try to support the better quality USA wineries. I must admit, typically I do not enjoy New World white wines under $40/btl. In general, they are produced to accompany food, or as an easy drinking aperitif and have little nuance. The challenge is, moving from Old World Chardonnay to California, you have to be willing to spend $60-100/btl. for similar quality. I usually prefer to stick with comparable French whites and pay 1/2 to 3/4 the price. Unfortunately, even Rhys has been raising their bottle price lately and is approaching a poor value proposition with White Burgundies…

Here are my tasting notes on the two Rhys wines we drank last night:

2013 Rhys Alpine Vineyard Chardonnay

California Central Coast AVA

Tasting Note:

The nose is complex with citrus and tropical fruits… candied lemon, bright fresh lemon, banana and pineapple. There is a tinge of alcohol and a kiss of minerality too. The palate is more straight-forward. Fresh lemon, bitter lemon rind leading to a lemon curd finish that has a touch of sweetness. The main impression here is of an understated wine, the nuances of which will not be experienced with food. I think the mouth-feel is still developing, so with very high acidity, I would let this rest a few more years to achieve the best tasting experience (drinking window 2015-2020). This drinks very well now as a quality Cali Chard, but if you are willing to wait, I think this will mature to add another point or two to the rating.

2012 Rhys Alesia Alder Springs Vineyard Chardonnay

California Central Coast AVA

Tasting Note:

At first pop, nice fruity candied meyer lemon on the nose that blows off after a few minutes. Nose settles down to a typical Cali Chard – lots of citrus, with some alcohol and a touch of concrete minerality. Very high acidity and well integrated alcohol. The palate is all citrus up front, with a mid-palate of bitter lemon rind and medium-long finish with a hint of vanilla. This wine is elevated by the mouth-feel. It has a delicate, silky texture that significantly enhances the drinking experience without food. With food, could be an excellent pairing with a citrus marinated pork loin. This is big enough to handle a few more years in the cellar, but is definitely in its drinking window now (drinking window 2014-2018).

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Filed under Chardonnay, U.S. Wines by Region, Wine by Varietal

Watching a California AVA Change its Identity

lodi_native_logo_288

There is a small group of pioneering winemakers taking the leap of faith (with some encouragement) to embrace a different approach to Lodi winemaking. They offer limited production premium wines and are fashioning a new identity for the region.

The brilliance of the vision is in the marketing. Wine collectors and enthusiasts follow winemakers and vineyards… it is the dirty secret most wineries would rather not acknowledge. Strong distribution, labels, shelf-talkers, shelf space and displays draw the average consumer. So, when you talk premium wine, what describes successful marketing? …Rock Star winemakers and masterfully managed vineyards. Examples on the vineyard side: I am always looking for single vineyard designate wines from Beckstoffer, Bien Nacido and Stolpman vineyard sites at below market prices. Same applies to winemakers like: Foley, Hobbs, Grahm, Lindquist, Smith, Ramey, Petroski, etc. (too many favorites to list). I am always looking…

The Lodi Native Project

This project was the original brain-child of Randy Caparoso (see bio here: Randy Caparoso), but it’s success depended on the execution of a group of winemakers who embraced the challenge. At its core, the project represents a winemaking philosophy, but the goal is much broader and ambitious. It includes a group of winemakers (Layne Montgomery-M2, Stuart Spencer-St. Amant, Ryan Sherman-Fields Family, Mike McCay-McCay Cellars, Tim Holdener-Macchia and Chad Joseph-Maley Brothers) that individually agreed to release 100-250 cases per vintage of Lodi AVA vineyard designate wines under a set of rules that require non-interventionist winemaking. The parameters include: all natural wild yeast (no inoculation), no additives (i.e. acidification), no filtering, all neutral oak in aging, etc. The heritage vineyard sites (see historic vineyards here: Heritage Vineyard Society) include: Marian’s Vineyard, Schmiedt Ranch Vineyard, Soucie Vineyard, Stampede Vineyard, TruLux Vineyard and Wegat Vineyard. These are all “Old Vine” vineyard sites (see Lodi Native vineyard info here: Lodi Native About).

Why is this Special?

This project represents the re-making of an AVA. There will always be bulk fruit and wine produced out of Lodi AVA, but this effort is showcasing why/how Lodi can be different and have at least a small footprint on the premium wine scene. What does Lodi Native bring to the wine world we do not already have? These are quality, terroir-driven, food friendly Zinfandel based wines at reasonable prices. I have not tasted other Zins quite like these. The previously recognized quality Zin producers, like Seghesio and Ridge are very different. Go Lodi Native! Your team has added diversity to the world of wine…

The Impact

Lodi has a large number of Heritage designate Old Vine Vineyard sites. Many were planted with their own root system (not spliced onto alternative root stock). Lodi is fortunate to have sandy-loam soils at some sites where phyloxera cannot survive. The native root systems on these 90-120 year old vines do seem to have an effect on the character of the wine. Many of these vineyards yield only 2-3 tons of fruit per acre, without intervention. These self-regulating vines seem to have “learned” how to contribute to yield management on their own.

These sites represent a valuable asset to the local wine community, having as much to do with quality winemaking, as the historical significance they hold. The importance of these vineyards was not recognized until roughly ten years ago, but it was Randy’s vision that made them commercially viable, and it was the winemakers’ commitment to showcasing the uniqueness that brought the project together.

Lodi Native has given a voice to the different nature of this AVA. Maybe Randy guessed at what could happen if the winemakers pulled it off, but I don’t think any of them understood what it would mean to building a local wine identity… beyond bulk wine grape production. These wines are very good in a serious classic sense and are terroir driven. They offer structure and balance, something missing from much of the rest of the AVA and they definitely belong in the category of premium wines. They offer a delicate finesse, focusing on soft mouth-feel, floral nose/palate and age-ability.

Value

If you are a wine enthusiast, you owe it to yourself to seek out these wines. They are the beginning of the emergence of the classic Lodi AVA and the value is solid.

More on Lodi Native Wines to come…

 

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Filed under Lodi, U.S. Wines by Region, Wine Education, Wine Industry, Wine Tasting, Winemaker Interview

Winery Profits, Vineyard Management and Winemaking

success

Future of Lodi AVA

This has been an illuminating couple of days at #WBC16. I think I have an initial feel for a few of the major issues facing the Lodi AVA. First, the wine industry potential here has no limit. The terroir is capable of producing interesting enough wines to support a solid run at the premium wines category, but the local farming culture is actively impeding progress.

Multi-generational wine growing families dominate large swathes of the region, bringing a focus on farming science to the local wine industry identity. I spoke with a large sampling of wineries here and almost all ownership either originally started as growers, still have a fruit supply contract, or have a family history in farming. This is an AVA where large production wineries dominate the local economy with bulk wine and large production labels in the $10-20/btl price range. There is a clear local perception of Lodi’s current market position, but a few have a vision for the future and entry into the premium and ultra-premium categories… where double digit growth in the industry lies. The cost per ton of bulk wine grapes sold for volume production has been stagnant here, whereas the cost of quality fruit for small production labels has been rising. Some here with a head for business and a marketing sensibility, see the profit potential in a change of approach.

These factors are just the background for the Lodi discussion. The real issue is the identity crisis being caused by conflict between farming science and premium winemaking philosophies. Fruit production concerns here, not the winemakers approach, are driving the final product. Napa, Sonoma and parts of the Central Coast have already moved past this barrier. These other regions have developed production environments where the winemaker’s vision is effectively incorporated into the vineyard management strategy. This evolution has not reached Lodi yet and the battle for the identity of Lodi AVA is solidly underway.

Winemaking Strategies and Vineyard Management

I attended a short panel discussion during the conference that was focused on viticulture in the area. The ideas expressed… were hard to believe. In a world where Lodi is striving to be relevant in the premium wine category, this one discussion put the region back a decade. The panel asserted that quality wine could be produced from vineyards managed to deliver 10-12 tons of fruit per acre. One of the individuals on the panel was adamant! I wrote an article last year related to a similar topic that applies: Is a Trained Palate Necessary to Produce Fine Wine? I was referring to winemakers in the piece, but it can also apply to vineyard managers as well. I have tasted wines comparatively from fruit harvested at 2 tons, 4 tons and 6 tons/acre. There is a very noticeable difference. As a common theme across all Napa/Sonoma winemakers I have interviewed – none of these wineries sourced fruit from vineyards producing over 5 tons/acre. So, this panel is telling me Lodi vineyards can produce quality fruit at 10-12 tons/acre… AND dropping fruit does not increase concentration of flavors?

Team Commitment to Quality

In the premium and ultra-premium categories today there are many techniques in use that have an impact on vineyard management strategy. The goal is to enhance structure, balance and complexity in the final product. Here are a few:

  • Multi-Pass and Small Block Harvesting
  • Small Lot Fermentation and Blending
  • Extended COLD – Soak, Maceration and Fermentation.

I explained some of these techniques in a previous blog post at: Why Do Wines Taste So Different? These represent winemaker driven strategies and are the hallmark of an ultra-premium mindset. Very few of these techniques are in use currently in Lodi. The changes required in vineyard operations to adopt these methods is not consistent with a farming driven approach to wine growing. If winery operations teams can’t move thinking in this direction, bulk wine growing will continue to dominate the region.

Profitability and Perceptions of Success

How do Lodi wine professionals measure success in the wine industry? Does that vision conflict with profitability?

It is clear to me, many of these Lodi wine growers measure their success by their ability to produce reasonable quality at the highest yields. Profitably producing fruit under a 10 year contract with Gallo at $600-800/ton is the picture of that success. My imagination is just not captured by what it takes to be profitable producing 500,000 cases of wine. There is definitely more than one approach to running a profitable winery, but from the wine service perspective, achieving high quality and acclaim is the definition. That quality has typically come from single vineyard designate, estate wine production. I think there are many students of winery operations that could deliver quality at 3-5,000 cases… and struggle to make a profit. What is truly impressive is a 10-25,000 case winery developing demand at a premium price point and driving healthy profits! Notable success in the Wine Industry should be measured by producing highly acclaimed premium and ultra-premium wines, while delivering a serious return on investment.

Is Change Necessary in Lodi?

Is the agricultural flavor of the local area what defines Lodi? Yes. Can the local industry be profitable with offering fruit by the ton, bulk wine and $10-20/btl wines? Yes. Will the area draw attention from the wine trade around the world and move producers here into the premium and ultra-premium categories? Resoundingly – no. What is the future of Lodi wine production? I guess, we will all wait and see…

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Filed under Business, Wine Education, Wine Industry

Lodi AVA Wine Tasting – WBC16

WBC16 Logo

Beginning with a few impressions from this year’s Wine Bloggers Conference in Lodi… It appears Lodi isn’t just old vine Zin anymore…

The first tasting of the event started my immersion in the region. Here is an overview of several producers and a few initial thoughts:

 

Oak Farm

Oak Farm Vineyards – Tasting a competent and very typical middle of the road Cab Sauv, but the real star here (and of the night) was a Loire style Sauv Blanc aged on the lees to add complexity and mouth-feel. In speaking with the winemaker, he definitely had a Loire sensibility and was specifically looking for that identity. If you enjoy Sancerre wines and would like to explore a similar approach produced in the U.S., give this wine a try.

Heritage Logo

Heritage Oak Winery – The impact of these wines was the good acidity across the board. I came to Lodi expecting not to see much structure, due to the very warm climate. The Sangiovese and Tempranillo in particular are fruit forward, with high acidity and a medium tannic structure. Nice food wines and across the board above average wines.

prie

Prie Vineyard & Winery – The reds were very thin and weak, but the Vermentino was exceptional. This varietal typically has citrus notes that usually leans toward lemon. The wine had good acidity and a beautiful rich lemon curd taste and texture…think lemon meringue pie. Great example of what Vermentino can be.

M2 Logo

M2 Wines – Traditional fruity Zins, easy drinking with mild acidity.

Mettler logo

Mettler Family Vineyards – Average red catalog. Again, the white wine was the notable offering. It was nice to see the Spanish varietal Albariño represented. This was a soft, easy drinking wine with nice mouth-feel.

Uvaggio

Uvaggio – The collection included a few average white wines. Atypically, the best wine was the Italian varietal Barbera. I thought, the best Lodi red wine of the night. This was a medium bodied, fruit forward wine with good acidity and chewy tannins. It had a bit in common with the Italian GD Vajra Barberas I have tasted (my favorite).

Scotto

Scotto Cellars, Masthead – Interesting story behind how this wine was developed with wine critic input. Check their website for the story. 100% Sangiovese with a bright red cherry fruit-forward palate and a mild dark chocolate mid-palate that moves into the finish. The wine had medium acidity and a reasonable mouth-feel that tended toward the watery side. It showed a balanced approach with good structure. It was approachable now, but had just enough structure to add some complexity.

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Fields Family Wines – Think food wines. Excellent structure across all wines tasted. Great wines to accompany food, or to age in your cellar – Syrahs, Petite Sirah and Tempranillo. The first producer I have tasted in Lodi to consistently offer food-friendly wines. Using mostly neutral oak for aging, lets the fruit shine through. All wines had medium-high acidity and medium-high tannins with good balance. Would be great restaurant wines.

Stay tuned for more impressions from the 2016 conference…

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The Legacy of Fine Wine Culture

Is there a “Right” Atmosphere to Enjoy Wine?

I received my Somm training from a mentor that still firmly believed a profession in wine was a “calling”. I have worked hard to train my palate and learn the wine regions of the world to pass that crazy test. After all the work though, I still can’t agree with the formal atmosphere surrounding much of the fine dining wine service industry. Is the defining U.S. wine experience a stuffy, formal affair? Why is there social stigma, or a nervousness regarding wine selection in restaurants? Wine knowledge in the trade should be a tool that facilitates the comfort and enjoyment of clients… instead of a blunt instrument that adds to the discomfort.

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Seen the Mollydooker Shake?

I was having dinner with business associates at an Italian restaurant last month and I was asked to order a bottle for the table with a budget of around $60. Unfortunately, the restaurant had a poor Italian wine selection, so I chose the 2014 Beringer Knight’s Valley Cabernet, usually a pretty solid selection (quality vineyard and a track record for value). This vintage was not as easy drinking as past releases, so I asked everyone to bear with me and I put my thumb over the top of the bottle and proceeded to give it a vigorous shake! Everyone got a kick out of it and we proceeded to drink a moderately softer wine. WARNING I am about to suggest a completely inappropriate wine faux pas… (if this will torture your sensibilities, please skip to the next paragraph) …say you run up against a tightly wound Chianti, or young red Bordeaux, or maybe a 100% Petit Verdot… picture pouring the bottle into a blender. I suggested this approach at the restaurant and everyone immediately started laughing and vowed to do this the next time they had guests over. (Disclaimer here: this is NOT meant for fine wine. It would be better to age these wines for another few years, rather than throw them in the blender). Check out this link: Mollydooker Shake. Young Mollydooker wines can be very high in tannin. A nice stiff shake can do wonders to soften any highly structured wine.

Is Wine Fun?

Several years ago, my wife and I were invited to a wine enthusiast’s home for a wine dinner with four other couples. Very expensive, quality aged wines were being served. Out of the blue, one guest suggests we go around the table and have each person share an impromptu personal tasting note for each wine being served. Really? Afterwards, I overhear comments about a previous wine party my wife and I hosted and the numerous wine-ignorant guests in attendance. That day I made myself a promise, I would always try to help others relax around wine and make the experience comfortable and unpretentious. I have become a reverse wine snob.

I am thoroughly embarrassed by trained professionals in the industry who feel it is necessary to overwhelm a client with their wine knowledge and lecture on the importance of selecting… just the right wine. When an attendant at a winery tasting room, or a Somm at a fine dining restaurant approaches me, I am usually faced with one of two types:

  • An under-trained wine steward who has not tasted their own wine inventory
  • A pretentious jerk, who wants to tell me which wines I should prefer

I am not sure which is worse? I hate to tell people I am formally trained… then, they either get defensive, or are intimidated and clam-up. When I am dining out at an establishment with a large cellar, I always search the lesser known “nooks-and-crannies” for the best value. Most of the time, I get annoyed looks, but all with me have a great time. I was at Cowboy Ciao (Scottsdale, AZ) dining with an associate last year (GREAT wine cellar, by the way). From previous discussions, I knew he preferred big, highly structured Napa Cabs. I asked him if he had ever tried Aglianico? I suggested to him, I could find a really enjoyable bottle of Aglianico there for under $40/btl. I got a serious look of disbelief. We proceeded to run the waitress ragged… I selected three different bottles that had spent time in their cellar – one was a 2006, I believe. It took our server 20 minutes working with the wine steward to track down one of these bottles (she was a good sport)! I had them decant the wine… AND he thoroughly enjoyed it! Fine wine doesn’t have to cost $125/btl and be called Caymus, or Silver Oak. Servers should encourage more discovery. Their clients would enjoy the broader wine experience.

Who decided that wine was not supposed to be fun?

Next Wine Vacation

I hope at least some of you have tried a wine vacation. If you haven’t, you should. Very few experiences provide better food and drink, more inviting scenery, or more romantic atmosphere… but they can be fun too! Napa is always the ultimate U.S. wine experience, but it is expensive and can be a bit stuffy. For something on the more fun side, try the Central California Coast, Oregon, or East Washington state. Ask around once you arrive and seek out the less pretentious, relaxed tasting venues. If you want an interesting experience, try Tobin James Cellars in Paso Robles, CA. Hit them during one of their events in particular and be prepared to have a rockin’ good time!

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Filed under Restaurant, Sommelier, Wine Cellar, Wine Education, Wine Industry, Wine Tasting, Wine Travel

2009 Tobin James Zinfandel Blue Moon Reserve

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2009 Tobin James Zinfandel Blue Moon Reserve

Paso Robles AVA, California

Tasting Note:

This wine is improving with age. You don’t often find a zinfandel that can hold up to much bottle age, maybe Seghesio, Ridge… This was a surprise. Before we start, this is not an Old World influenced red wine. It is a California bomb! Completely fruit forward nose of dried red and blue fruits with alcohol and mineral notes. The fruit explodes on the palate. After seven years in the bottle, this zinfandel is very uncommon. The palate is all dried fruit: raisin, prune, boysenberry, blueberry… not as much sweet, as intensely fruity. Touch of dark chocolate on the mid-palate and a very long fruity finish. Silky, medium-low tannins still, with a beautiful mouth-filling texture. The high alcohol is evident, but not overpowering. Not a wine for food. Enjoy as an apertif, or digestiv. One of the most well-made California fruit-bomb style wines I have ever tasted!

We purchased this wine during a Tobin James special event at the winery. Their reserve wines are not easy to find, but worth searching out. The general release wine reflects broader market ambitions and is just average for quality and value, so don’t judge the reserve wines by what you may find on the shelf at your wine retailer!

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Filed under Paso Robles, U.S. Wines by Region, Wine Tasting, Wine Tasting Notes, Zinfandel